Jul 10 2006
Music Review: Shaadi Se Pehle
Aelina, IndiaGlitz [Monday, March 20, 2006]
Himesh Reshammiya is on a roll. And everything that he is coming with these days is more often than not turning successful. Even 2006 has been great to him so far with ‘Aksar’ and ‘Aap Ka Surroor’ being hits and now ‘Shaadi Se Pehle’ looking promising too. With the backing of Subhash Ghai’s Mukta Arts and a team of director Satish Kaushik, lyricist Sameer and young brigade of Akshaye Khanna, Mallika Sherawat and Ayesha Takia, things should only be on a upswing for ‘Shaadi Se Pehle’.
1) Mundeya [Sunidhi Chauhan, remix by Akbar Sami]
A rocking beginning - that’s the way to describe ‘Mundeya’. A naughty number choreographed on equally naughty Mallika Sherawat, expect ’seetis’ and ‘taalis’ all over the auditorium once the song is played. Sunidhi Chauhan teases and invites while singing this rhythmic foot tapping number that is fun filled and makes for a conventional Bollywood number, though the setting is a little inverse with this time a girl after a boy! As expected DJ Akbar Sami peps up the mood further with his remix version (which is in fact a trend for all but one song that doesn’t have an accompanying remix version)!
2) Ankhiyon Se Gal Kar Gayi [Sukhwinder Singh, Sonu Nigam, Sunidhi Chauhan, remix by Akbar Sami]
After Harry Anand, it is the turn of Himesh Reshammiya to get ‘inspired’ as he does his own version of Pakistani singer Abrar Ul Haq’s ‘Assi Teri Gal Karni’. While Harry did a note by note and lyric by lyric copy of the original, Reshammiya thankfully plays a little different by just borrowing the basic rhythm of the opening lyrics ‘Assi Teri Gal Karni’ and instead converts it to ‘Ankhiyon Se Gal Kar Gayi’. For the remainder of the song, the tune is completely different with Sukhwinder Singh, Sonu Nigam and Sunidhi Chauhan at the helm. Inspite of Ayesha Takia’s presence, this is yet another number in quick succession that is choreographed on Mallika Sherawat and she exudes enough heat to pep up the proceedings. Overall this song with a complete North Indian flavor falls in the ‘come today gone tomorrow’ variety and is just fine while it lasts. Since the song has a Punjabi base, it is just apt for a ‘dhol’ version to come soon which is created effectively by DJ Akbar Sami.
3) Tuteya Ve [Daler Mehendi, remix by DJ Suketu]
It’s time to go a little slow with ‘Tuteya De’, which is a little surprising as the singer behind the mike is none other than Daler Mehendi who seldom goes slow! And isn’t the changeover simply amazing!? It is great to hear a different Daler Mehendi as he is accompanied by another male voice in the background (is it Jayesh or Krishna?) that continues to go ‘Ae Dil’ throughout the song’s duration, hence creating a haunting impact. A love song with a difference, one wonders how Himesh Reshammiya - the singer - may have sung it if given a chance? A much more involving outing comes in the form of DJ Suketu version that simply takes your breath away and forces you to continue playing on the song. One wonders why the song is not on air yet. Or is it a smart strategy to hold the best till the last?!
4) Bijuriya [Alka Yagnik, Sukhwinder Singh, remix by Akbar Sami]
You realize that the most foot tapping number of the album is reserved till the end when ‘Bijuriya’ is played. After ‘Mundeya’, this is yet another naughty number choreographed on Mallika and she keeps her fans happy with her moves and pouts! Sukhwinder Singh too joins in a little later to provide support but it is Alka Yagnik who is at her spirited best while singing this ‘qawalli’ based item number. One can simply freak out on this number that is only bound to grow if the movie turns out to be a success! And DJ Akbar Sami’s version only helps the cause!
5) Tere Liye [Udit Narayan, Alka Yagnik, remix by Akbar Sami]
A routine ‘naach-gaana’ number Himesh Reshammiya ishtyle, it has its dose of melody and rhythm but the deja vu factor goes a little against it. This duet by Udit Narayan and Alka Yagnik that also appears in Akbar Sami version may work only if accompanied by eye candy visuals. Otherwise this song with ordinary and conventional lyrics may just turn out to be an ideal candidate for a popcorn break!
6) Sache Aashiq [Sukhwinder Singh, Alka Yagnik]
A conventional Bollywood ‘bhangra’ number, ‘Sache Aashiq’ is fine but not an ideal candidate for a chart topping material! Just like ‘Tere Liye’, this routine ‘dance on the streets’ number by Sukhwinder Singh and Alka Yagnik has any chances of working only when aided by good choreography that may keep audiences glued to the screens. Otherwise expect the song to fade away soon after the movie is out of the screens! Surprisingly this is the only song in the album that doesn’t have a remix version accompanying it!
‘Shaadi Se Pehle’ is more of a David Dhawan score than a Subhash Ghai score. If at all one has to compare, it comes closer to Satish Kaushik’s ‘Mujhe Kuch Kehna Hai’ in terms of vibrancy, fun and frolic due to an overall peppy mood. A time pass ‘masala’ score that comes with a purpose of entertaining and is successful in doing the same in most part of the album.
Rating: ***
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One Response to “Music Review: Shaadi Se Pehle”
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i am a big fan of himeshji,i love his music n i love his style of singing.i want to meet him plzplz,or atleast talk to him once just once plz.i like his work n i like him as a human being. he s simply grt.i ll write again